Her relationship with Hood is the foundation upon which everything rests, and it is dictated almost entirely by her wants and needs. They are also more emotionally evolved and mentally tougher than the men depicted in the show, mostly because they’ve had to be as a result of the hyper-masculine world in which they exist. Their physical abilities are either equal to or surpass those of their typically male opponents, and so some of the show’s most memorable action scenes involve not Hood but these women, from Carrie’s nearly episode-long brawl with Olek (Christos Vasilopoulos) in Season 1 to Nola’s made-to-look-like-a-single-take fight with Burton (Matthew Rauch) in Season 3.īut like Banshee itself, the strengths of its women exist beyond the physical. The result is a thrilling takedown of male arrogance and misogyny as they harness their strength and reveal why it’s a mistake to underestimate them. The writers subvert the damsel-in-distress trope early and often, playing off viewers’ knowledge of what the show’s many women, including Carrie Hopewell (Ivana Milicevic), Siobhan Kelly (Trieste Kelly Dunn), and Nola Longshadow (Odette Annable), are capable of, as well as the expectations of those within the narrative who haven’t a clue. They are rarely in need of saving, not from the choices they make nor the violence at their doorsteps. With the exception of children and the elderly, the female characters of Banshee are not weak. If you stick around longer than that, you’ll also see that while Lucas Hood (Starr) might be a fascinating (anti)hero who flirts with masculine fantasy-multiple beautiful women fall into his bed with laughable ease early on, including the widow of a man he kills-the show actually belongs to the women in his life. But spend a few hours in the small hamlet of the series’ title and a truth begins to emerge: There’s much more going on than just violence and sex, both in terms of the overarching narrative and its many players. So it’s hardly a surprise that the fan-favorite Banshee is seemingly tailor-made for the protoypical male gaze: excessive, gruesome violence is used as frequently as gratuitious sex and nudity are deployed within its pulpy narrative, which follows an ex-con (Antony Starr) who walks the line between criminal and cop after assuming the identity of a recently deceased sheriff. The successful rebranding of Cinemax in the 2010s rested on producing scripted originals that would attract the premium network’s majority male viewership.
#Banshee tv show watch series#
A party thrown by Proctor for the new sheriff is spoiled by a crasher - a member of the redneck Moody clan who despise Amish people in general and Kai in particular.(Editor’s Note: Be aware there are some series spoilers for Banshee below.) Rabbit, the New York-based mob boss who wants revenge against Lucas and Carrie for the jewel heist that landed Lucas in prison. Yearning for Carrie and itching for the thrill of thievery, who’s now the wife of attorney Gordon Hopewell and mother of two, Lucas inadvertently gets tangled up in the rampant corruption of shunned Amish gangster Kai Proctor, while keeping a vigilant eye out for Mr. Keeping his history a secret as he awaits forged papers from an unlikely NYC ally named Job, Lucas befriends boxer-turned-bartender Sugar Bates, and settles into his new life as Banshee’s sheriff, overseeing deputies Emmett Yawners, Siobhan Kelly and Brock Lotus. In a bizarre twist of fate, a recently paroled master thief assumes the identity of Lucas Hood, sheriff-in-waiting of Banshee, PA - the same town where his former partner and lover, who changed her name to Carrie, relocated and remarried years ago.
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